2016 Lights! Canberra! Action!

So, following on from the success of being shortlisted for our entry in the 2015 Lights! Canberra! Action! Marina and I set about making an entry for this year's short film festival. The film is titled '237' (after the hotel key that must appear as one of specified objects).

The format of the festival stipulates that entrants have 10 days to shoot and submit a film. The film must contain 10 specified objects or places and be somehow linked to a nominated theme ... this year's theme was 'Chance'. The ten objects or places for this year's film were:

  1. A deck of cards
  2. PJ O'Reilly's - either southside or the city
  3. Weather Report 'Chance of rain' - this item can be audio
  4. Weetangera Cemetery - MAP
  5. A question mark
  6. The National Film and Sound Archive
  7. Dice
  8. The Police Box on Red Hill by Geoff Filmer - MAP
  9. A raffle ticket
  10. The key to room 237, Avenue Hotel

We managed to include all ten ... see if you can spot them!

Our movie is largely a meditation on the nature of freedom, it's a kind of love story and it's narrated beautifully in Italian by Marina.

And since we were shortlisted and made the Final Twelve we got to attend the public screening of all twelve shortlisted film at the Rose Gardens, Old Parliament House.

Here's a picture of Marina and I accepting our finalist certificates from Chris Bourke MLA

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Please let us know what you think of the movie in the comments below :-)


New Show: Barriers - Break or Breakthrough

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I'm very pleased to announce my next show Barriers: Break or Breakthrough opens next Wednesday at the Belconnen Community Center. A collaboration between myself and Marina T, the show explores our different reactions to change. Our working proposal:

Change is a fundamental part of the human experience. Often our difficulty in accepting change can stem from our inability to understand it. Barriers explores the the transitional processes involved in interpreting change.

The exhibition revolves around the centerpiece of a glass-encased clay sculpture of a human skull, which acts as both metaphor and motif of change. Meditations upon the centerpiece take the form of sculptures, and poetry.

The skull, which we have nicknamed Eno was made by Marina, features in each of the photographs. Each of the photos explores a different emotional response to change ... these comprise Anger, Fear, Denial, Delirium, Mourning and Acceptance.  Here is a selection of the photographs from our shortlist for the show.

The show also features several poems written especially for the show and a number of new clay sculptures from Marina.

We made a flyer advertising the show too ;-)

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Along the way we have also established domain for our working collaborative artistic endeavours 2 Tens & A Tomato under which we exhibit and also produced a short film (shortlisted at the 2015 Lights! Canberra! Action! short film festival. The site is a little lean at the moment as we concentrate on getting things together for the show and really only shows a copy of the flyer for the show but please stay tuned on that front.

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Links

If you're in Canberra next Wednesday evening (18th November) at 5:30pm ... please come along and say hello to us :-)

If Canberra is simply too far to come ... please wish us well :-)

#gdphoto #2tensandatomato


Pocket Places: Paths into inner Canberra

Ever shot a poet on a bicycle? No? Well neither had I until week before last. Canberra poet PS Cottier (whom you may remember from this shoot) got in touch with a fun request:

"I just found out that I am having a small chapbook published about
riding the bikepaths of Canberra.  It has some autobiographical
elements and is a prose piece in a series called Pocket Places. The
publisher asked if I have a suitable colour photo of myself on my
bike.  I said I have some lovely photos with a parasol (and we may
use one from that session) but none of me riding my bike."

So, after a glass of wine at local pub/cafe The Front we set off on a little soiree on the bike paths of the Inner North. Here's a selection from our wander.

 

The book will be called Paths into inner Canberra, to be published by Ginninderra Press of South Australia.  (GP began in Canberra 19 years ago but moved to Port Adelaide in 2008.) It will be part of their new Pocket Places series, and will be available here for the enormous price of $4.  It will be about 24 pp in length.

Links

 


In An Attic of Her Soul

In an attic of her soul
retreated
walls growing close with encroaching gloom
outside clouds blacken low with late twilight hue
shadowed eyes of a mother gaze outward
left behind
inside
while life outside marched on
with passions external
cradling with a stiff arm
the child looking upon with hungry gaze
while she searches and searches and searches
forever waiting
with mannequin's gaze
for signs and signals
of where her love has gone

In An Attic of Her Soul ... a work intended for the 2 Tens & A Tomato show with Marina but didn't make the shortlist ... for this show anyways ... the next one definitely :-)


Saturday's Sunset

 

Sun's departing rays

day collapses into embers

hot kisses linger

While at the coast on the weekend I witnessed a brief but fiery sunset. I was reminded of a quiet fireplace, embers burning aglow and of how a sunset is like the sun drawing the light of the day back into itself as it departs the sky ... the earth still warm and glowing from it's day-long kiss. An utterly romantic view of course of otherwise straightforward planetary rotation, but I like to indulge the romantic notion of collapsing light and embered skies.It adds a certain beauty to the world and that transition from day into night which we loosely call twilight when it is neither day nor night but a betwixt and between of experience and anticipation ... a time when there's a seeming pause to the world.

And then there's 'hot kisses linger' ... well they do ... don't they? :-)

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Saturday's Sunset was captured at Malua Bay on the south coast of New South Wales ... the sky was afire but only for a moment.


Seaside Pull

standing on land's edge

water draining back to sea

feet sink deeper still

 

Spent a couple of days with the kids at the south coast this weekend. When I say south coast I mean the south coast of New South Wales ... the Sapphire Coast if you listen to the tourism bods. Canberra you see is a landlocked capital and about 2 hours drive from the coast ... not very far ... and a pleasant drive too. It just seems a long way when you're in Canberra but not very far at all when you're standing with your feet in the waves. It was cold by the way ... it being winter down this way and the water temperature is around 14-15°C ... a bit too cold for swimming but vibrant on the toes! The water was beautifully clear.

These pictures were taken with my phone as I stood watching the kids muck about in the sand and rockpools. I adore that feeling as the water drains from it's sigh up the beach and sluices sandily past your feet ... and ... if you wriggle your feet ... you sink a little ... somehow becoming more fixed to a point within an environment ever-changing ... it's the kind of juxtaposition that does something for me - it really does. A little seaside pull :-)


In Your Eyes

 

In your eyes
I see the world anew

feel an unconditional love
see the joy in life
and the small things that matter

the beauty
of mud between my toes
of creating something new

the tears
at the injustice of the world
of frustration when it just didn't work out

When you look at me I see myself in you
see the love returned
I feel you there
feel you working me out
you see the mixed emotions in my eyes
the love for you

In your eyes
I see your life stretch out to horizons I cannot imagine
things I will never see
... I see my own mortality then
as I felt when you were born
I knew then my days were numbered by you

Acutely
Aware

My life is yours
forever

(22 January 2014)

 A poem I wrote for my children and featured in Two Tens & A Tomato

 

 


2 Tens & A Tomato

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Hi, just a quick note to let you know about a new collaborative show of fresh art and words from myself and visual artist and poet Marina. We have mixed poetry, photography, sculpture and installation into works exploring the written word and visualisations of poetic elements. The show will opened by PS Cottier, renowned poet and local.

The show is titled '2 Tens & A Tomato' and opens this Thursday evening at 7pm at the Front Gallery in Wattle Street, Lyneham ... be great to see you there and show off the works personally ... plus the gallery's attached to a pub and there's a band on too ... art, alcohol, live music and interesting people ... sounds like fun.

In addition, Marina and I will be guests of the July Canberra Poetry Slam the following Friday 25th July where we'll be reading works featured in the show.

The details in point form...

  • What2 Tens & A Tomato - Fresh art and words from Geoffrey Dunn & Marina
  • WhereThe Front Gallery - Wattle Street, Lyneham - 17th-28th July 2014
  • Opening: 7pm Thursday 17th July by PS Cottier ... that's like this Thursday ... yeah we know :-)
  • Poetry Slam Readings: Friday 25th July - 8pm

ps ... my solo show Zoologica is still running at the Kaori Gallery until 2nd August ... it's all go at the moment! G :-)


Words await an eye's caress

letters strewn with love
words await an eye's caress
as breath brings forth life

A haiku for today.

Image is one of a series I created in 2011 to document the hand-crafted books of Fran Ifould. This particular book was titled Enviroroulette and you can view the complete series here.


Blackstar

After a long silent time
With a friendly peck on the cheek
She was off to the ocean with it's crystal blues and sunsparkl'd azures

He cleaned up after she left
The glasses and tobacco
plates and sheets
papers and her hair
Draped on pillows
creating casual arcs on the tiles
debris on the shore as after a rough sea

Emerging into sunshine
hot and beating
to return to the bench
with a cordial
and a smoke
the litter of butts surrounding
testimony to the time spent there last night
and one...
the first one

the one when she first arrived
happy and expectant
hair cut and straight
new skirt 
and totally gorgeous
with lipstick

a touch remained on the single butt
the first one she kissed
before the blackstar
emerged later from behind the moon
and played it's game of scramble
and miscommunication
and churned joy into turgid silence 
and distance

The first one
with lipstick

he cried then
when his eye caught it
hot tears of hurt and love
for their fragile hearts
each now cracked
and from where?
How?
He dare not seek a why and be forever searching
for something he would never find
for the blackstar 
in wicked interferences conspires never to reveal

It has it's methods own
The blackstar
honed on our fears
with twisting happen-stance and evil synchronicities
bent on undoing the fine tapestries
of our lives and dreams
Plans? Pfft! She told me once
[and not very long ago!]
She had met the blackstar before and is no stranger to it
Perhaps she called it something else
We've all known it
sometime
somewhere
with someone we love

Begone!
Enough of the blackstar!
Just fuck off back to wherever you came from.
[He uttered it forcefully enough to cause a magpie to tilt and peer]
[OK it wasn't quite screamed but it had intent!]

In the heat of the sun
breeze hot and crisp 
it left him alone
and he was
alone

alone.

He thought of her then
driving down the mountain
Her hair fragranc'd with his shampoo
The road a focus 
for the singular cogency that road tripping delivers
angling to arrive 
at land's edge
the coast
and the promised purity of the ocean's kiss
the refreshing salty cleansing
and momentary exhilaration
of the heart
only the sea's immersive embrace
as only the ocean can
and will
when nothing else works...

Swim strong my love.

[8 February 2014]


The Fountain

Shortly after
In a musky twilight space
when they are spent
and the breeze takes their sweat
in cool inhalations
He listens to her breath grow long and slow
and lies there quite awake

In this head of his
in amongst the crowded visions
and vivid tangents
the textures and tutorials
the voices and aching cries

There is a space
centred but not quite central
where it is quiet
in a circle of olive cobblestones
there's a fountain
its waters the source of his tears
its sound his deep chuckles
its sparkling clarity his love

The air is warm and humid
and in the dusk beyond fountain's light
a garden overgrown beyond it's humble plan
with arch and arbour
paths and bramble
Wild patches riotous with colour blooming where her light has shone

and in that dusky darkness
with its slow breathing rhythms
he reaches out
and together with her sleepy interlocking fingers
takes her hand in his

(December 2013)


A Little Piece of Me

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A Little Piece of Me

Dark

I feel it's pull

tangible as a kiss never realised

Cold

the space between

whirling sheets of colour

Light

a piercing clarity

precision at a price

Warmth

strangely within

Life

unfurling

a fern glowing against shadow

(August 2013)

 

 


In Review - Elisha Bones

In Review - Elisha Bones at the White Eagle Polish Club 16th August 2013

With Tully On Tully, Borneo with live art by Houl / Walrus / Micha

Oh Crowds.

It's 10:15 by the time I arrive ... I'm either late ... or arriving at the perfect time ... tonight I'm both ...

It's busy! There's a veritable hipster torrent coming through the door and I work my through the crowd to the front right of the stage to get a look at the band ... it's Tully on Tully up from Melbourne.

... it's toward the end of  their set (I was late) and Blue ... bathed in cyan ... driving forth with passion if not precision  Tully on Tully are powering along in alt.rock anthemic style. They have groove and melody and a gyrating lead who shimmies and struts her way back and forth along the stage and whips at the crowd ... who stand quite impassive. If a rocky headland had actual will to rebuff the incessant wave ... the scene would play like this. Sure, there's a whoop at the end of songs and some polite clapping but they do - not - move! In fact they show nothing to suggest that the band playing (and playing well! Well, OK maybe they need to work on their changes a bit…) not a few meters hence affects them in any way. Quite a few are checking their phones and I feel that while they are present in body their minds are elsewhere ... clouded perhaps?

Sometimes it's not the bands but the crowd that interest me and this one is interesting, exhibiting a coarse granularity expressed in small clusters. There's an interconnectedness ... these folks know each other but I'm thinking not well in real life. A sub-cluster has gathered around a large mural being created by artists Houl, Micha and Walrus ... a man clad in a wolf's pelt is taking form over a snow white mane. I find myself coming over all poetic

Gnarled
As a tree it's twisted roots worked with spirals
He looms above her adorned in fresh slain Canus ... the pelt now working ajar
She was attracted by his dead eyes ... recently Wolf's
their promised abyss
his hands soft as fur with hint of polished claw
now revealed to a hideous protruding boniness that hovers over her chest
A snow white mane overflows and frames
her hammock at once a spiralling hypnosis and cutlass both
arms upstretched in supplication
patterned with clumsy tattoos from a different life
the well-meaning incantations a nursery rhyme now
as the roots below darken to a Mesmer’s curtain

It's a work in progress, Tully has finished and so I head back to the bar

The crowd ... there's a retro-chic op-shop style about them too ... a young Liz Taylor glides past in a faux-Roman pleated blouse, nose-ring shining aboard an aquiline nose,, a waist-coated gent sporting sixties spectacles and neatly trimmed facial growth stands out not at all ... nor do the grey suede buckled and heeled ankle boots ... in fact they're each repeated again and again ... I feel like they've all just watched Thrift Shop and found Vinnies yet they’re all slink but no dance ... I'm thinking a public service grad cohort and I'm feeling poetic again ... it happens;

Standing toward the bar her dark bob sliding into a faded pink tee
Slender with a white swan across her chest
Pleated short skirt
Over black tights,
light olive and cream check
tonight proudly aired
still bearing her cupboard's kiss

I resist the urge to mention the wardrobe-creased skirt to the girl, buy a beer instead and head back inside. The crowd's still there ... for a brief moment I thought them into a dream  ... but no, they're still here as Elisha Bones take the stage. The band is confident and precise. Rolling thunder as before an approaching storm emerging in a fresh rainblast of driving dance-core and throbbing beat ... it's a great opening number but does the crowd move? No it doesn't! Fuck me what does it take to move these people? I dabble in generalisations ... I ponder whether their only experience of live music is a flat screen of youtube coz that's how they're reacting. Again, they whoop between tracks but during they're largely (e)motionless ... the music providing soundtrack to a social media experience. The band, energetic, complex and driving with guts and spirit is reduced to so much blue wallpaper.

Meanwhile the mural, created directly on large sheets of adjacent congruent ply, progresses;

Grain as ectoplasm
a tree peeled - the medium
The Knots
Linear like life itself
Emanate brown from the earth, passing through festy spiralled roots
Dallying awhile in her now arched torso before escaping her belly
and
slipping through the fingers of his searching hand
make their aetheric ascent
Roots become feathers
she is watched over by a discarded hawk
(or a militant finch)
I cannot tell

 

There's a moment in Elisha Bones’ set when they're channelling Jeff Buckley ... fucking Jeff Buckley ... I quite liked them up until then ... but then I grew up in a time when Buckley was a CD that went on at every party ... at least then you could go outside for a smoke or walk up to the stereo and physically remove it ... he doesn't do it for me ... he never has ... I've tried. Buckley aside ... Elisha Bones are a polished and well-grooved music machine who performed wonderfully despite tonight’s less-than-interactive crowd who do give it up for a deserved encore as though their phones have told them 'now is the time'.

I’m still there for the packup and curtain-folding dance and meet the lads from Borneo (Sydney) … the first band who played tonight while I was off elsewhere … I apologise for not being there to review their gig and they give me a copy of their EP ‘Is This A Demo?’ to review instead J

At first listen, it’s rich and jangly and the opening track contains changes that bring a remembered smile to my face for their abruptness and nerve … I’d be interested to see them rip it up on stage … next time boys :-)

A strange night but nonetheless a rich and enjoyable one. Thanks Nigel & Beth and the CMC. Wallpaper wrangled by Dave Howe.

Links:


...flying before the storm

My dear companion
hears the piping call
of gulls
flying before the storm
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The Enchantress

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From the water she rose
hands like whispering flame
a face in shadow
elsewhere perhaps
ripples spread circles
the enchantment begins

One of a series of pictures from a session in the Adelaide hills last year.

This is also the first time I've posted wholly using android on my new tablet. Lots to get used to but I think it will work :-)