Shoot: Cell Block 69
Cell Block 69 ... 80's synth-pop masters and mainstays of the Canberra and Sydney music scene are once again gearing up for their annual 'Final Show Ever!' series of 2016 gigs. I had the great privilege of photographing their promo shots for this year. Featuring a Delorean (complete with a functioning Flux Capacitor) and the use of my new studio space. There were two basic outfit changes for this shoot... the first was a future-tech white series.
The second, denim, denim and still more denim ... double denim too. There were the studio shots in a Calvin Klein inspired wall shoot.
And the series featuring the Delorean. That car was hot! Literally hot as the polished stainless steel threatened to peel any bare skin laid upon it. Thank you to Callum for loaning his car for the shoot!
I also did a series of individual portraits of the band members.
Some blurb from Moshtix where you can purchase tickets for their end of year shows.
69 is number 1! Let the nine Corey’s of Rock (and to a lesser but not to be undermined extent, synth pop) take you to the year Two Thousand and Nineteen Eighty Sixteen for a performance of hit songs of unfathomable proportion.
Always surfing on the curtails of their latest dazzling Rock (and to a smaller but not to be undermined extent, synth pop) stadium performance extraordinaire, CELL BLOCK 69 return to the recently voted most playable city in the world, Canberry.
Duanne Le Corey-Michaels and his 8 Coreys of Eighties Awesomeness, return direct from generic Europe for their annual "Final Show Ever ". CELL BLOCK 69 are number one and they will show you why.
Read more at http://www.moshtix.com.au/v2/event/cell-block-69/89523#z8B2Mk0ExKBD1Zke.99
Model Shoot: Casey Edwards
- Model: Casey Edwards
- HMUA: Deni Jordan Hackett
- Styling: Lydia Downe
- Photographer: Geoffrey Dunn
Shoot: Lisa Richards
The wonderful musician Lisa Richards recently engaged me to create an image for the back cover of her new CD release A Light From The Other Side. Lisa had seen a moody montage I published using a photograph of Marina ... she loved it and wanted something in a similar mood for the cover. I explained that it was a montage and I would be happy to shoot some studio images of her and simply place (I say simply but successful montages are never really ever simple) her into the existing montage. I had to adjust the document to fit in the dimensions provided by the graphic designer but we were very pleased with the result.
And here's the completed cover.
Since we were in the studio we took some publicity type pictures as well.
The album is pre-selling now. I really like it. Do yourself a favour* and grab a copy. Do visit Lisa's website too and have a listen to her previous work ... great listening :-)
*apologies to Molly Meldrum ;-)
Model Shoot: Deni Jordan Hackett
A series of images from a recent model shoot with model Deni Jordan Hackett. The shoot team was put together by HMUA Caroline Cresswell and was intended to feature a theme of 'Veiled'. It was a fun afternoon. I'm working with Deni again this weekend though this time she's doing creative ... can't wait, stay tuned.
The full team
- Photographer: Geoffrey Dunn
- Model: Deni Jordan Hackett
- Make Up: Caroline Cresswell
- Hair: Amelia Olsen
- Creative: Caroline | Marina T | Geoffrey
Rapturous and RAW Artists
Recently did a shoot for Liza Alwast of Rapturous who is putting together a show for RAW Artists here in Canberra. Liza collects and works with fine textiles to create stunning dresses and couture. The show is one component of the TREND show presented at the Belconnen Arts Centre from 6:30pm on Friday 17th June 2016.
The shoot was conducted in a studio setting with Marina modelling. I have created a number composite images (substituting background images et al) to create a more interesting setting. These one's aren't particularly hard to pick ;-)
Thankfully, Liza has provided me with a ticket to the event and of course I'll be taking my camera so stay tuned for more from Rapturous ad Raw Artists :-)
Links
Pigman's Lament
Yesterday morning I shot a series of promotional photographs to support an upcoming production at The Street Theatre. The production is called Pigman's Lament and stars Raoul Craemer in a taxing solo performance. The story revolves around a man who is physically haunted by the memory of his dead grandfather. Raoul, who you may remember from the Beard/No Beard headshot series from earlier in the year, plays both roles.
The brief for the promotional image called for the expression of the duality extant in the central character ... to somehow combine the rational present character with that of the man beyond the grave. I chose to take two shots and merge them together to form this dualistic one ... Raoul's hand reaching from behind his head and contorting his face emphasises the extension of this nasty force from the past. The picture will appear on all promotional materials for the production and I'll post a picture of the poster when it gets printed.
There were, predictably some outtakes too ;-)
The production details
Pigman's Lament - The Street Theatre - Early 2016
- Starring: Raoul Craemer
- Director: Paulo Castro (Stone/Castro - Portuguese National Theatre, Schaubuehne Berlin, Chunky Move)
- Playwright: Raoul Craemer
New Show: Barriers - Break or Breakthrough
I'm very pleased to announce my next show Barriers: Break or Breakthrough opens next Wednesday at the Belconnen Community Center. A collaboration between myself and Marina T, the show explores our different reactions to change. Our working proposal:
Change is a fundamental part of the human experience. Often our difficulty in accepting change can stem from our inability to understand it. Barriers explores the the transitional processes involved in interpreting change.
The exhibition revolves around the centerpiece of a glass-encased clay sculpture of a human skull, which acts as both metaphor and motif of change. Meditations upon the centerpiece take the form of sculptures, and poetry.
The skull, which we have nicknamed Eno was made by Marina, features in each of the photographs. Each of the photos explores a different emotional response to change ... these comprise Anger, Fear, Denial, Delirium, Mourning and Acceptance. Here is a selection of the photographs from our shortlist for the show.
The show also features several poems written especially for the show and a number of new clay sculptures from Marina.
We made a flyer advertising the show too ;-)
Along the way we have also established domain for our working collaborative artistic endeavours 2 Tens & A Tomato under which we exhibit and also produced a short film (shortlisted at the 2015 Lights! Canberra! Action! short film festival. The site is a little lean at the moment as we concentrate on getting things together for the show and really only shows a copy of the flyer for the show but please stay tuned on that front.
Links
- About 2 Tens & A Tomato
- 2 Tens & A Tomato
- Sexy monochrome flyer version
If you're in Canberra next Wednesday evening (18th November) at 5:30pm ... please come along and say hello to us :-)
If Canberra is simply too far to come ... please wish us well :-)
#gdphoto #2tensandatomato
The One Project
Toward the beginning of the year I had lunch with my friend Hilary Wardaugh, an accomplished photographer around Canberra, and she described a project she was putting together. Hilary explained that she had a Nikon FM-2 manual film camera with a 50mm f/1.8 lens laying around and was planning to load a film into it, compile a list of photographers and pass the camera to each photographer and ask each one to take a picture. Once the picture has been taken, it became the photographer's responsibility to contact the next person on the list and arrange to get the camera to them. At the end of this process, about 3 months, Hilary will get the film developed and scanned. Each photographer will their digital negative and can process it as though preparing a print in the darkroom ... that is curves and levels and filter colours but no pixel based PhotoShop edits et al. The processed negative will be passed back to Hilary who will then arrange printing of the image for the purposes of exhibition. Two shows are currently lined up for the prints, one local (at the Huw Davies Gallery in Manuka) and one in Sydney (as part of the Head On Photo Festival).
The camera travels in a box containing the list of photographers, a cable release and a book in which the photographer is encouraged to write a short piece about their picture. The project is called The One Project.
So far so good... the only stipulation was that our picture had to be a portrait!
No pressure... it's only a single frame... I mean it's not like the other twenty-odd photographers are all accomplished photographers (they are!) and will be doing their very best as well... reading through the book I smiled when I saw that everyone else was obsessed with light, exposure and focus ;-)
I wanted my portrait to be of my artistic collaborator Marina. I have photographed Marina extensively over the past two years and together we came up with the idea that often you only have an impression of someone through the images you see of them. So I put together a grid of photos I have taken of Marina and projected them digitally across her face and arms and splashed across a dark background the pictures resemble stained glass. I set my digital camera to emulate the manual settings of the FM-2 and to act as a light meter for correct exposure. The effect is one of an essentially dark shadowy image with bright pictures shaping contours but ... visible upon closer inspection ... you see Marina illuminated and looking out from the shadows. It looks great.
Then it was swap the camera over on the tripod, recompose and recheck the settings (and recheck them again!) ... I re-posed Marina and got the composition right and while she was looking perfect I felt it was right pressed the shutter release ... pa-tchang! Done! In my excitement however I had failed to warn Marina I was about to take the picture and she thinks she may have blinked but can't recall where the blink may have been in relation to the exposure. I'm sure it'll be fine! I do feel like a goose though! My main concern is that given the dark nature of the photograph (light-wise not emotionally-wise!) and the different response of the film to shadow and highlight my contribution to the project may in fact just turn out to be a black frame! But then that's the risk you take in trying something less safe I guess :-)
The photos I took with the digital body look great and I would include them in this post but I don't want to publish anything until I see how the film version came out which won't be until November. I'll do a contrast and compare then as a separate post :-)
But I would like to thank both Hilary and Marina. Marina firstly for being my muse and sharing her art, ideas and vision so freely with me ... my world simply wouldn't be the same without her in it. And Hilary for coming up with the idea of The One Project and making it happen, for the necessary artistic angst and discipline (well OK maybe I didn't take home all of the discipline lesson) this project inspired in me.
On the Inside Looking Out
I've written before about those special moments when a picture reveals itself right before your eyes. Some days when you're ready to take a photograph ... to capture something special a scene can prove elusive ... there are, I believe, times when it's almost as though you have to be 'open' to a photograph's materialisation. By that I refer to perhaps a process or state of mind whereby you as the photographer are open to the image that present itself to you. It's like realising there is an image waiting in front of you or even anticipating an image's appearance ... this one represents one of those moments
Back story: A recent trip to Melbourne, Marina and I had just been to visit the Masterpieces from the Hermitage: The Legacy of Catherine the Great exhibition at the National Gallery of Victoria. Marina had wandered outside and I went to retrieve my camera bag from the cloakroom. As I walked across the foyer of the gallery toward the exit I noticed this young girl outside touching the glass of the water wall with her finger. I quickly reached into my camera bag, grabbed the camera and took a few pictures (before her father came and dragged her away from an anticipated episode of soaking). This one was my favourite... on the inside looking out.
The exhibition at the NGV is spectacular btw ... should you find yourself in Melbourne ;-)
Published :-)
In other news one of my photographs, part of a series I did for local poet P.S. Cottier for her little poetry collection Paths Into Inner Canberra, has been published in The Canberra Times newspaper and syndicated to The Age online site ( the newspaper sites are syndicated so they appear kinda the same ;-) )
Links
Hot Baby (Take 2) = much happier baby
Back in December I did a baby photo session of then four-week old Bjørn. That sunny Sunday reached 39°C in the afternoon … and little Bjørn was a hot baby and hot babies tend to be a little cranky. I got loads of lovely pictures of Bjørn but they were largely split into two groups … peacefully asleep or grumpy 
Now, I do know that parents love pictures of their children looking happy and smiley so I undertook to do a second session to capture some of the said happy and smiley pictures. Fast forward through the 4-week blur that is Christmas, travel, new year et al and little Bjørn is not so little now ... well ok he's still pretty little ... just not quite so little ... anyways on with the pictures! :-)
We met up at the Botanic Gardens on a Sunday morning and I foolishly wore a white shirt and as I lay on the damp dewy grass in amongst the wallaby poo ... this became apparent ... this foolishness. My shirt looked as though it bore external witness to a coffee drinking problem ... which is quite untrue ... like really.
Shoot: My first Greek Orthodox Christening
Not only my first Greek Orthodox christening but my first photo shoot of a Greek Orthodox christening to boot. Not one but three babies, all cousins, were christened last weekend at St Nicholas' Church. Not being a regular attendee at church services, I took the opportunity to read up on the ceremony before the day arrived ... to get an idea of who would be standing where and what the different components would entail. I even visited the websites of photographers specialising in christenings to see what sort of pictures they got ... research I believe it's called ;-) and I'm very glad I did. I got to the church well before the ceremony to check out the light and to speak with the Fathers about where I could and could not go ... '...anywhere but the steps up to the sacred place!' ... no problem ... anywhere but the steps up to the sacred place! Got it!
It was very interesting day and also a very hot and humid one. I had a great time, took some lovely photographs which the families are very pleased with and hope to do it again.
Headshots: Raoul Craemer 2
As promised back in this post, I present the clean-shaven headshots of actor Raoul Craemer...
Raoul certainly looks different sans beard and though he wanted the shots to be simple and neat, the photo where I asked him to mess up his hair has an edgy look to it that I just love. That one is easily my favourite of the session. I like it slightly more in monochrome too.
Here's a contrast;
It's likely a little too late now, but I still think the beard works. What do you think?
Hot Baby
On the same weekend I took photos of actor Raoul Creamer, I also did a baby photo session of four-week old Bjørn. Turned out that Sunday morning was hot and sunny ... it reached 39°C in the afternoon ... and heat tends to make for a hot baby and hot babies tend to be a little cranky. So I got loads of lovely pictures of Bjørn but they were largely split into two groups ... peacefully asleep or grumpy :-)
Here's a selection of the more peaceful ones ... I particularly like the one where he looks like an old-school Soviet Premier ... you'll know the one (it's the not-so-peaceful one) ;-)
I've arranged a further session with Bjørn, who will hopefully bring his happy smiling face along, next week. Parents and relatives do appreciate pictures of happy, smiling children :-)
Headshots: Raoul Craemer
Raoul Craemer is an actor currently based in Canberra. Raoul has recently signed with a new agent and asked me the other day to take some fresh head shots of him. An added bonus is that the role he's currently engaged with requires a beard and so we're doing two sessions ... one with beard - Voila! ... and one next week when his role finishes and he shaves the beard off.
Personally, I quite like the beard on him.
Oh and Raoul's current show is called A Scandalous Boy by David Atfield and is showing at The Street Theatre until well, yesterday ;-)