Shoot: Lisa Richards Live

On a ridiculously hot evening in January I had the pleasure of photographing Lisa Richards at Smith's Alternative in Canberra City. Lisa was promoting her new album A light from the other side and playing songs from her multitude of other, excellent releases. Astute readers will know that I contributed artwork to this album along with a number of other professional media photos.

Lisa was joined on stage by Matt Nightingale on double and electric bass and Jeannette Bradley on banjo and fiddle. It was a lovely intimate performance and well suited to the Smith's Alternative venue.

Lisa's album (and her other releases) are available from her website.

Shoot: Cell Block 69

Cell Block 69 ... 80's synth-pop masters and mainstays of the Canberra and Sydney music scene are once again gearing up for their annual 'Final Show Ever!' series of 2016 gigs. I had the great privilege of photographing their promo shots for this year. Featuring a Delorean (complete with a functioning Flux Capacitor) and the use of my new studio space. There were two basic outfit changes for this shoot... the first was a future-tech white series.

The second, denim, denim and still more denim ... double denim too. There were the studio shots in a Calvin Klein inspired wall shoot.

And the series featuring the Delorean. That car was hot! Literally hot as the polished stainless steel threatened to peel any bare skin laid upon it. Thank you to Callum for loaning his car for the shoot!

I also did a series of individual portraits of the band members.


Some blurb from Moshtix where you can purchase tickets for their end of year shows.

69 is number 1! Let the nine Corey’s of Rock (and to a lesser but not to be undermined extent, synth pop) take you to the year Two Thousand and Nineteen Eighty Sixteen for a performance of hit songs of unfathomable proportion.

Always surfing on the curtails of their latest dazzling Rock (and to a smaller but not to be undermined extent, synth pop) stadium performance extraordinaire, CELL BLOCK 69 return to the recently voted most playable city in the world, Canberry.

Duanne Le Corey-Michaels and his 8 Coreys of Eighties Awesomeness, return direct from generic Europe for their annual "Final Show Ever ". CELL BLOCK 69 are number one and they will show you why.




I was fortunate to be given the opportunity to photograph the bi-annual Tango in the Spring event held over last weekend at the Albert Hall. The event, which runs over four days, attracts some of the top Tango dancers from around the country. There are workshops and Practica each day and a Milonga each night. I photographed the main dance (or Milonga) on the Saturday night.

The lighting was very dim and I was shooting at the far end of practical for my camera. This was great for the atmosphere of the dance but it was tricky to photograph in. To give you an idea I was frequently shooting at ISO 10k+ at f/1.6 and f/2.8 and just managing 1/60th of a second exposure. I had to learn how the dancers moved to be able to anticipate where they would be and when. Also, the colour of the lighting (apart from being dim!) was orange and I had some tricky manoeuvring to do in post to pull out something that resembles a white-balanced image ;-)


It was a great night and the dancing was superb!


Model Shoot: Deni Jordan Hackett

A series of images from a recent model shoot with model Deni Jordan Hackett. The shoot team was put together by HMUA Caroline Cresswell and was intended to feature a theme of 'Veiled'. It was a fun afternoon. I'm working with Deni again this weekend though this time she's doing creative ... can't wait, stay tuned.

The full team

  • Photographer: Geoffrey Dunn
  • Model: Deni Jordan Hackett
  • Make Up: Caroline Cresswell
  • Hair: Amelia Olsen
  • Creative: Caroline | Marina T | Geoffrey

Rapturous and RAW Artists

Recently did a shoot for Liza Alwast of Rapturous who is putting together a show for RAW Artists here in Canberra. Liza collects and works with fine textiles to create stunning dresses and couture. The show is one component of the TREND show presented at the Belconnen Arts Centre from 6:30pm on Friday 17th June 2016.

The shoot was conducted in a studio setting with Marina modelling. I have created a number composite images (substituting background images et al) to create a more interesting setting. These one's aren't particularly hard to pick ;-)

Thankfully, Liza has provided me with a ticket to the event and of course I'll be taking my camera so stay tuned for more from Rapturous ad Raw Artists :-)


Time-Motion Study: Dance

On Saturday night I had the opportunity to photograph some of the show events at the 2015 Canberra Latin Dance Festival. The festival organisers had engaged a photographic team from Sydney to do formal coverage of the events and dance exhibitions and I volunteered on the day to offer to take some creative arty pictures. The event started at 8pm and was very well attended. There was a stage and seating and a large(ish) (too large I think) area in front of the stage where no-one was permitted ... not even the formal photographers!

I had imagined that I would be able to get quite close to the action and to this end I had packed my Lensbaby and wider primes to get as you say creative. Seeing as I couldn't get close my wider selection was almost no us ... I mean I was simply to far away from the action. I did have my 70-200 with me and I ended up using this for most of the night. As I was taking pictures of the performers I began extending the exposure time to deliberately blur their movements and flow. I had my tripod with me and so I zoomed to an area of the stage with black background and set about tweaking until I got nicely lit 10 second exposures. I got a lot of duds ... but we won't talk about those today ;-)

I was impressed with the way they came out. The ones above show flow and transition and a closer examination reveals faces and hands and the ever-present specular highlights of sequin and spangle. It's almost as though you're capturing the essence or the spirit of the dancers with these ghostly images. I think I am going to have to do some of these ... perhaps under more controlled conditions.

Here are some featuring spins and twirls...

The conversion of some of these into monochrome lends an ethereal feel too I think.

Published :-)

In other news one of my photographs, part of a series I did for local poet P.S. Cottier for her little poetry collection Paths Into Inner Canberra, has been published in The Canberra Times newspaper and syndicated to The Age online site ( the newspaper sites are syndicated so they appear kinda the same ;-) )


Gretchen Chappelle: life in still motion | scenes from the pacific shore

While in Sydney two weeks ago I had the pleasure of viewing my friend Gretchen Chappelle's most recent exhibition 'life in still motion | scenes from the pacific shore' at the Art Est. Art School and Gallery in Leichhardt, Sydney. Gretchen has, over the years, developed and refined a post-processing technique involving layers and motion blur to effectively isolate subjects in a frame whilst taking advantage of the colour fields surrounding them. I remember thinking 'Wow, that's cool' when I first saw her post one. Apparently, many folks have asked about the technique with a view to emulating it and while a number have tried I don't think any of them have mastered it the way Gretchen has.

A work by Gretchen illustrating the processing technique © Gretchen Chappelle 2015

I liked the prints in the show (and of course catching up with Gretchen!) but the gallery was a long way out ... Marina and I caught the train to Summer Hill and then walked at least a kilometer (Google Maps claimed it was 600m!) into the burbs of Leichhardt before we came across the gallery ... Gretchen arrived on her bicycle more or less the same time we did. I thought that Gretchen's work deserved more of an audience than was going to stumble across this out of the way place ... it needed more of a walk-in viewing audience/customer base and this wasn't the space that was going to provide that. Then, I guess those galleries cost more to host shows and the commission they charge is generally higher too. Still these are the lessons we learn when showing :-)

Good on you Gretchen ... the show looked great :-)

Gretchen standing with one of her larger framed works

The show ran for the month of May so, due to my slackness in promoting the work of friends you can no longer trek into Leichhardt and see it for yourself ... it being quite suddenly June...



So we made this little movie ... an arthouse piece in a world that plainly isn't. In the movie, we're wearing masks ... well, in the latter stages we're wearing masks plural seeing as we had only one mask when we began filming and had to share it. It wasn't until I came across a supply of masks in Chapel Street in Melbourne over the final weekend that we were able to appear together both wearing masks. But that's an aside.

It's a strange feeling to be wearing masks in public, on the street, in coffee shops and shopping malls. Noone seemed to think it particularly odd, we didn't get asked to leave anywhere and anywhere people did look a little alarmed we just assured them we were "making a movie" and everything was fine! One thing I did notice though was that when I was masked, people I was flashing a reassuring smile to as they walked past or lingered couldn't actually see said reassuring smile; just some nodding weirdo in a mask.

I did take the opportunity to take some stills as we were shooting but likely nowhere near as many as I perhaps should have :-)

Here's a few.

You can watch the movie here

Hot Baby (Take 2) = much happier baby

Back in December I did a baby photo session of then four-week old Bjørn. That sunny Sunday reached 39°C in the afternoon … and little Bjørn was a hot baby and hot babies tend to be a little cranky. I got loads of lovely pictures of Bjørn but they were largely split into two groups … peacefully asleep or grumpy :-)

Now, I do know that parents love pictures of their children looking happy and smiley so I undertook to do a second session to capture some of the said happy and smiley pictures. Fast forward through the 4-week blur that is Christmas, travel, new year et al and little Bjørn is not so little now ... well ok he's still pretty little ... just not quite so little ... anyways on with the pictures! :-)

We met up at the Botanic Gardens on a Sunday morning and I foolishly wore a white shirt and as I lay on the damp dewy grass in amongst the wallaby poo ... this became apparent ... this foolishness. My shirt looked as though it bore external witness to a coffee drinking problem ... which is quite untrue ... like really.


Pocket Places: Paths into inner Canberra

Ever shot a poet on a bicycle? No? Well neither had I until week before last. Canberra poet PS Cottier (whom you may remember from this shoot) got in touch with a fun request:

"I just found out that I am having a small chapbook published about
riding the bikepaths of Canberra.  It has some autobiographical
elements and is a prose piece in a series called Pocket Places. The
publisher asked if I have a suitable colour photo of myself on my
bike.  I said I have some lovely photos with a parasol (and we may
use one from that session) but none of me riding my bike."

So, after a glass of wine at local pub/cafe The Front we set off on a little soiree on the bike paths of the Inner North. Here's a selection from our wander.


The book will be called Paths into inner Canberra, to be published by Ginninderra Press of South Australia.  (GP began in Canberra 19 years ago but moved to Port Adelaide in 2008.) It will be part of their new Pocket Places series, and will be available here for the enormous price of $4.  It will be about 24 pp in length.



Shoot: My first Greek Orthodox Christening

Not only my first Greek Orthodox christening but my first photo shoot of a Greek Orthodox christening to boot. Not one but three babies, all cousins, were christened last weekend at St Nicholas' Church. Not being a regular attendee at church services, I took the opportunity to read up on the ceremony before the day arrived ... to get an idea of who would be standing where and what the different components would entail. I even visited the websites of photographers specialising in christenings to see what sort of pictures they got ... research I believe it's called ;-) and I'm very glad I did. I got to the church well before the ceremony to check out the light and to speak with the Fathers about where I could and could not go ... '...anywhere but the steps up to the sacred place!' ... no problem ... anywhere but the steps up to the sacred place! Got it!

It was very interesting day and also a very hot and humid one. I had a great time, took some lovely photographs which the families are very pleased with and hope to do it again.


Headshots: Raoul Craemer 2

As promised back in this post, I present the clean-shaven headshots of actor Raoul Craemer...

Raoul certainly looks different sans beard and though he wanted the shots to be simple and neat, the photo where I asked him to mess up his hair has an edgy look to it that I just love. That one is easily my favourite of the session. I like it slightly more in monochrome too.

Here's a contrast;

It's likely a little too late now, but I still think the beard works. What do you think?

Hot Baby

On the same weekend I took photos of actor Raoul Creamer, I also did a baby photo session of four-week old Bjørn. Turned out that Sunday morning was hot and sunny ... it reached 39°C in the afternoon ... and heat tends to make for a hot baby and hot babies tend to be a little cranky. So I got loads of lovely pictures of Bjørn but they were largely split into two groups ... peacefully asleep or grumpy :-)

Here's a selection of the more peaceful ones ... I particularly like the one where he looks like an old-school Soviet Premier ... you'll know the one (it's the not-so-peaceful one)  ;-)

I've arranged a further session with Bjørn, who will hopefully bring his happy smiling face along, next week. Parents and relatives do appreciate pictures of happy, smiling children :-)